The Cell Analogy: The Cell- Part 1 Renaissance and Transvestites

In light of my previous post regarding the "Bigger Issue", or the "So What?" part of my ongoing argument that methods of gender exploration in the Renaissance echo that of today's modern blogosphere, I decided to go with the analogy I used in yesterday's post to create another series of posts which echo my more scholarly trilogy exploring this same topic. Each constituent part of this series builds upon the next to create the "Big Picture" in the end. Note, I am a science freak, thus the biological analogy.

• The Cell Analogy: The Cell- Part 1 Renaissance and Transvestites
• The Cell Analogy: The Cell- Part 2 Modern Day and Technology
  
• The Cell Analogy: The Tissue- Online Identity
  
• The Cell Analogy: The Organ- Seeing the Whole
  

Let's start with the issue of gender identity, particularly let's explore a female taking masculine roles.
Thanks to my colleague, Neal, and his comment on a previous post, this post will address Renaissance exploration of gender and Queen Elizabeth's role in that exploration differently than in previous posts. Neal suggested including more in terms of the transvestite theater and how Elizabeth's Tilbury Speech "performance" echos that prominent social platform.

Renaissance Society
The Renaissance was a homosocial society prominently male dominated, yet the crown was held by a queen, Elizabeth Tudor, who claimed to be a King and "convert[ed] her reign, through the perpetual love tricks that passed between her and her people (Bedford). Her reign was during the height of the transvestite theater in England, this type of theater being a place where men and boys dressed and played both male and female roles. In addition to adopting the dress of female characters (as the definition of "transvestite" is "One who wears the clothing of the opposite sex" [OED]), the male actors adopted characteristics usually associated with the female gender and performed accordingly.

Transvestite theater=male actors taking a female role, combining both physical appearance, or sex, of a female as well as feminine mannerisms, or the feminine gender.

Switching Roles
Elizabeth was once quoted saying "We princes, I tell you, are set on stages, in sight and view of all the world" (Bedford). Standing on that political stage (her passion was the theater of politics [Bedford]), Elizabeth adopted both traditional and transvestite roles as necessity dictated. In her famous Tilbury speech where she rallied her men against the threat of the Spanish Armada, Elizabeth played the role of the men's general, judge and leader, boldly proclaiming "I have the heart of a King- and a King of England too." Visually, Elizabeth fulfilled her male role by donning the "costume" of battle armor from the waist up and even claiming her physical features to be that of a King, the title "King" typically associated with the male position in monarchy. When it is understood that "Renaissance historiography constituted a masculine tradition...devoted to the deeds of men, glorifying the masculine virtues of courage, honor and patriotism" (Rackin) and we read of Elizabeth promising to her men "By your obedience to my General, by your concord in the camp, and your valour in the field, we shall shortly have a famous victory over these enemies of my God, of my kingdom and of my people" we see she is recognizing those three elements of courage, honor and patriotism and participating in a very masculine tradition of honoring those characteristics of her men.

Many "Me's"
Just as you dress differently for a presentation than when you go to the gym, presentation of self differs depending on situation. Did Elizabeth use masculine characteristics and clothing to permanently make herself male? No, in fact all the pictures painted of her depict her in lavishly feminine attire. The situation at Tilbury necessitated the emergence of her more masculine "Me," the novel aspect here being she, as a female, seemed to possess masculine qualities which she readily put forth. Situation creates gender characteristics. Is that a fair statement to make? If Elizabeth were married I feel it safe to say her husband would have been out there, rallying the men. Yet she wasn't married. She was the monarch, the King, the masculine leader her men needed at that point. This emerging masculinity creates the idea of the hermaphrodite, a being with both sets of masculine and feminine characteristics. Could this be characteristic for all, not just females? Do we all possess pieces of our other hermaphroditic half (see my previous post, The Hermaphrodite, for more on the idea of the hermaphrodite) and simply suppress those pieces to create a dominant gender? It seems the bolgosphere suggests this is possible and possibly occurring right now...more on that next!

Why Do I Care?

Let's start with this...

As a part of this...
which makes up this...

What's my point? Many people have been commenting on the "So What?" part of my blog. Yes, I have research, articles, points, all driving my argument to a conclusive "The Renaissance social stage of the transvestite theater and the world wide web are echos of each other in terms of gender exploration." But what are the implications of such an argument? In other words, as my 14 year old sister, Sarah, asked me,

"Why do I care?"

Ugh, here Sarah, do you want back the knife you just stabbed through my literary heart?! But it's a good question. Why is it pertinent to understand that Elizabeth's social appearance at Tilbury reflects an aspect of our culture? So what?

Well, I'll be honest, as I started this project with "research paper" in mind, my point was simply to synthesize and critique the arguments of other scholars. A worthy skill to have and one which is valuable in its own right. Yet, with the freedom this blog gives me, it's good I've been pushed to extend my argument to adding to that literary conversation. This is a nice forum where I can state my ideas, derived in part through the work of others, and answer the "So what?" not through the ideas of scholars, but through my own voice echoing my thoughts.

Back to the pictures. This scientific phenomenon is echoed in almost every aspect of life, big things are big only because of the small things which combine to compose them. They are not simply "big." This is the phenomenon I see occurring within the literary discourse I've engaged in. My ideas are spurred by reading my classmate and colleague Heather's blog, Musings of a College Kid, and her quest to understand the significance of multiple online identities.

Here begins my thought process: Gender is one part of those "multiple identities" which makes up the larger issue of online identity which ultimately reflects the current state of "real" or physical identity and, as Heather is exploring, how all those identities reconcile in "Me."

While searching books on Amazon (a BEAUTIFUL research technique suggested to me by my professor, Gideon Burton) I came across a great book entitled "Being Virtual: Who You Really Are Online", the author's purpose obviously being exploring online identity. And I quote, "The internet has had the greatest change upon the perception of identity yet."

His main argument centers around the statement,

There is, in fact, only one thing that we do not do online: be ourselves

Yet then he challenges his own question.

Or do we? Online we are finally freed from the political conventions and cultural restraints that society determines we must apply to everything we do, everything we say, every relationship that we make and break...Perhaps then it is more appropriate to think that underneath whatever multiple masks we wear in the virtual world, however many personas we construct, a new collaborative identity is built which ultimately reveals the real us?

Just as there are many cells and layers/types of skin composing what we know as "skin," perhaps there are many different "Me's" which all together compose Me. What does this have to do with gender? Well, quite honestly I'm not sure other than gender is one of the "Me's" which makes up Me. I'm still mulling around ideas and need to sleep on it (really it works! It's how I justify going to bed at 9:30pm some days, "I'm working on a paper!") and will continue to post my thought process, and hopefully come to some conclusions. But here's a start! What do you think?

Courage in the Face of Death

Could you inspire courage in the face of death?

Imagine yourself standing in front of a group of soldiers in Iraq with the whole Al-Qaeda terrorist organization coming to destroy you. You are far out-weaponed, and out-numbered by the enemy. It is your duty, as the soldiers' leader, to inspire them to fight with all they have, though the outlook is bleak and death is almost certain. You turn, face your men and proclaim:

"I am come amongst you as you see at this time, not for my recreation and disport, but being resolved, in the midst and heat of battle, to live or die amongst you all- to lay down for my God, and for my kingdoms, and for my people, my honor and my blood even in the dust...I myself will will take up arms- I myself will be your general, judge, and rewarder of every one of your virtues in the field."

How would you say it?

Meekly, kindly, boldly, intensely? To inspire a group of men would you use a feminine approach or would you hone in on the masculine characteristics of bravery, boldness, intensely shouting your lines and transferring your earnest intensity to your soldiers?

Let's go back to the literature which spurred this blog, Queen Elizabeth Tudor's Tilbury Speech. We have explored her use of actual words and of visual appearance so let's explore one more element to communication, tone of voice. Elizabeth's plight was similar to the one you just put yourself in. How do you think Elizabeth presented her speech? Though we don't have any recordings, I feel it safe to say, if she made efforts to enhance her masculinity through word choice and visual appearance (as I explored in my previous post), she probably did the same with her voice. I couldn't find a good audio/video recording of Elizabeth's speech, but this one is fairly good. Watch it. How would do things differently?

Remember, there were runners going through the crowd reading her speech in sync with her, but would you depend solely on those runners to exude the same intensity and tone you would? When we understand paralinguistics (the non-semantic aspect of speech--everything but the words themselves) plays as much as 38% of how our words are received it brings up an interesting question which doesn't really have any answer. Were the runners a necessity or theatrical element of her Tilbury performance? While it is pretty safe to say the runners were partly out of necessity, Elizabeth was too sharp to miss the advantage of her speech being read by a man's voice. This tactic is yet another manifestation showing her mastery of blurring the lines between biological reality and social perception. Her role became one which was not one of "masculine" or "feminine" but rather as their "general, judge and rewarder," their monarch leader, "A King of England."

A Scholarly Vacation...

Have you ever wanted an excuse to fly to England? Well here you go, I'm giving you an excuse. Consider it a gift from me to you for reading my blog! Go tour England while easing your conscience and justify it in your mind by saying "This is for my intellectual growth!" This event is the one which has the Renaissance scholar community buzzing!

Cambridge International Chronicles Symposium- Authority and Gender in Medieval and Renaissance

This event is a biennial interdisciplinary conference organized to promote research and to strengthen the network of chronicle studies worldwide. The aim of the CICS is to allow scholars from various departments of learning and critical approaches to meet, present new research, demonstrate new critical approaches and discuss prospects for ongoing, collective research between scholars and academic institutions.

The date for the event is July 16-18, 2010 at the University of Cambridge.

Registration deadline was 31 May however late registration is possible through contacting the registration office. The registration fee is about $58 US dollars.

If you have ever attended/will be attending I would love to hear your report on previous/the current event! Cheers!

The Table of Content

Can a man write like a woman?
Can a woman write like a man?

Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

Which poet is the man and which is the woman, or are they the same sex?

How It Started
I am strangely fascinated with gender studies and for a long time have been intrigued by the question "Is there is a basic humanistic way with which to view the world?" I have struggled with the question "Can you see someone from a blank slate?" and always feeling gender-typing is so innately inbred since birth (pink baby blanket for girls and blue for boys) that I can't respond to someone as just human, rather only as masculine or feminine.

Enter the idea of the Hermaphrodite...

...and thus began the formulation of my answer.

Answer
It is possible for someone to have a blank slate, but not through removing socialized ideas of established gender. Many "intellectual" musings and lots of research later, my information has pointed to the opposite. We can view another human from a blank slate not through removing gender, rather paradoxically through combining gender and achieving a hermaphroditic wholeness of knowledge! Is it possible? Queen Elizabeth Tudor accomplished such a feat during the Renaissance and today the online blogosphere harbors a multitude of such figures, in fact, if you blog, have a facebook account, or an online avatar of any sort you might be one of them!

The Trilogy
This is synopsis of my trilogy blogs which analyze the hermaphrodite figure as played out in the Renaissance and in today's society. You can see my trilogy:

1. The Digital Hermaphrodite
2. The Hermaphroditic Sovereign: Renaissance Exploration of Gender
3. Avatars: Exploration of Gender in the Digital Age

My entire blog, The Best Things in Life Aren't Hard to Find, is devoted to research and musings on gender issues regarding masculinity and femininity and the idea of the hermaphrodite in relation to those issues.

Who knows, maybe reading these articles will spur you to read the other blogs, comment and you will find a new way of viewing interaction with others.

The Digital Hermaphrodite
This is the core of my argument, the point or tip of my literary triangle. While explaining the Hermaphrodite as a literary figure, this post explains the relevance of the hermaphrodite in relation to the Renaissance transvestite theater, English monarchy and events, as well as making it pertinent to our day in relation to the modern social platform of the world wide web and blogosphere.

The Hermaphroditic Sovereign: Renaissance Exploration of Gender

Queen Elizabeth Tudor, reining monarch of England for 70 years (1533-1603) never married and ruled as a single sovereign, claiming her status as England's King. How can this be? The title "King" is attributed to a male body in the monarchy position, not female. Elizabeth pushed the idea that the position of King was not based upon biological factors, rather it was based upon the ability of a person to perform a masculine gender role. In one of her most famous speeches, the Tilbury Speech, Elizabeth combines her female body with masculine gender, making for a hermaphroditic figure visually and idealistically.

Avatars: Exploration of Gender in the Digital Age
Can you pose as a your opposite sex online? Can you master the elements of word choice, structure and visual appearance which ascribe gender in the digital world? The new social platform of the World Wide Web creates a convergence of both biological sex and gender role into the one "body" of the internet. More and more, creators of avatars, online social profiles, transform their "body" image to what ever they want biologically and that sex can either represent the real sex and gender of the computer user or not. Gender exploration made possible in part by blogging!

Genderanalyzer!

GenderAnalyzer
Yesterday in my advanced writing class which spurred the creation of this blog, I received the assignment to explore other blogs and websites which are talking about issues similar to my topic and comment on those blogs. As I was doing some exploring I came across an AWESOME website called GenderAnalyzer. You take any web address, copy, paste and Genderanalyzer using "artificial intelligence" analyzes if a male or female created the web site as well as gives a percentage as to how sure they are in that analysis. As I have experimented with this tool it's so fun to use and especially relevant to the topic of words and visual design's effect upon a site's gender definition. I used three blogs as "tests," my blog, my colleague Ben's Research 2.0 blog, and my colleague Krista's gender ambiguous Uffishsthoughts blog...GenderAnalyzer got it right each time (Krista, you may want to do something about that)! Perhaps being gender ambiguous isn't as easy as first thought! Try it out, have some fun =)! I'm contemplating starting another blog under the pseudo name "John Smith" to see if I can fool GenderAnalyzer! We'll see = )
Blogs
In addition to having way too much fun with GenderAnalyzer, I found the Difference blog, whose writers comment on current sex and gender issues. The issues presented vary from news items to every day events which serve to strengthen gender roles as "set" in society. I posted a comment on a few. If you're interested you can comment as well, though your comment must first be approved by the director of the group and won't show up immediately. Each post is only a few paragraphs and can be read in about 3 minutes. See what you think!

Avatars: Exploration of Gender in the Digital Age

History Repeats Itself
Four hundred years since the English theater was the place of gender explorations a new social stage has emerged where gender identity is challenged and created, the World Wide Web. This world, composed of objects both real and fantastical in nature, has reversed the old way of one's perception of others, traditionally being based on objective physical, emotional, and mental criteria. The World Wide Web is primarily dependent on how and what one chooses to communicate about his or her self. The subjective nature of online profiles make for a prime place to explore a gender other than the one typically associated with specific sexes.

Gender-Oriented Language
Word choice is one method of determining an author's identity and gender affiliation on the World Wide Web. The subjective nature of this digital forum makes an ideal place to change gender without changing sex or being labeled as "gay" or "lesbian." Authors of blogs who seek to try on different gender roles while retaining their original sex participate in a phenomenon known as "disembodiment." This term refers to the idea that while the body is necessary to connect to the internet, after that the body is no longer necessary for self-definition, and "This ultimately alludes to a sense of detachment from the identity defined by the physical body" (Sexual Identity Online). Another study comments, "While physical constraints such as the body, biological sex, race, or age can have a profound effect on self-definition and self-presentation, many of these attributes become flexible online" (Huffaker, Calvert). Anonymous blogs are becoming increasingly prevalent as a recent study shows, "BlogCensus randomly sampled 490,000 blogs to find 40% male, and 36% female, with the remaining 24% of the blogs unidentifiable in terms of gender" (Huffaker, Calvert). This could lead to one conclusion that authors of blogs wish to remain anonymous possibly to refrain from an audience bias based upon gender.

Technological Explorations of Language
My colleague, James, referred me to a study conducted by researchers at the Georgia Institute of Technology who were fascinated by the role words play in revealing gender and invented an internet game to explore the issue. The Turing Game is based upon a question-and-answer setting in which questioners interrogate panelists, all posing as the same gender and attempt to discover the gender posers through purely written responses. Most users found it is not as easy to determine the impostor, the language being a good mask for defining one as a specific gender. Simply put, "girls are more likely to disclose personal information, feelings, and concerns than are boys...and (boys) often go out of their way to avoid appearing, in any way, 'feminine'...boys at adolescence tend to (and are encouraged to) restrict their emotions and emotional disclosure during adolescence" (Stern). Blogs have become forums where gender specific language is utilized in associating one with the opposite gender as well as when exploration of one's ascribed gender. One study found boys more likely to present themselves as gay online than in person and conversely, girls are more likely to explore more masculine or "unladylike" talk such as sex, depression, suicidal ideation (Stern) through the online sphere. These studies push the thought that emerging social networking sites have become venues where it is socially accepted to present one's self as a different gender or a combination of both masculine and feminine.

Graphic Disguise
Words are not the only mask the online community has to offer. Visual design "speaks" of gender as much as actual words. Studies have found that "In terms of their structure and style, men's home pages tend to be more technologically complex, to incorporate more motifs related to technology, and to emphasize status. Women's home pages...tend to be technologically simpler, include more floral designs and pastel colors, share more original creations, and more commonly integrate addresses to the audience" (Stern). Colors as well assist in defining gender of a blogger with lighter and pastel colors more commonly used by females and darker, solid colors used by males.

A class mate of mine, Ben, has been the butt of a few jokes regarding his very "masculine," dark colored, technologically advanced, blog. My blog, being the classic feminine color, pink, attributes a gender through purely visual stimuli. My good friend, Krista, wrote for a question-answer service and unintentionally did not reveal her sex or gender. When this became apparent, she comments on her blog, Uffish Thought, "I liked the Uffish part because it doesn't seem to have a set definition. I saw how boxed in sometimes writers can become, and I wanted to have a 'nym that I could use to answer any kind of question, any way I chose and not have a big uproar." Her followers were shocked when she revealed "I am female." The visual appearance of her blog reveals little by way of gender and promotes the anonymity of her blog. The colors, word font, pictures, etc., do not ascribe gender either way and assist her readers in their interpretation of her answers as unbiased gender-wise.

The Implications
As understanding of words and visual appearance becomes more apparent, the hermaphroditic nature of combining these two elements of writing and visual appearance to create an atmosphere where one can explore different modes of thinking and writing as well as combine their sex with the opposite gender, will enhance self expression and evaluation. The blogosphere will increasingly become a modern day transvestite theater and, in the words of Phyllis Rackin regarding the English theater, an "important site of cultural transformation-a place where cultural change (is) not simply reflected but also rehearsed and enacted...An arena where changing gender definitions (can) be displayed, deplored, or enforced and where anxieties about them (can) be expressed" (Rackin).

A/N: This is the last in a series of three blog posts which explore the idea of the hermaphrodite as related to the Renaissance and modern digital age.

1. The Digital Hermaphrodite
2. The Hermaphroditic Sovereign: Renaissance Exploration of Gender
3. Avatars: Exploration of Gender in the Digital Age